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    Barlow Endowment for Music Composition
    • Home
    • Barlow Prize Guidelines
    • Commissions Guidelines
    • Winners
      • Prize Recipients
      • General and LDS Commission Recipients
    • News
      • Premieres and Performances
      • The Pulitzer Prizes
      • Barlow Lectures at BYU
    • Reports
      • Executive Director Report
      • Education Grant Report
      • Intern Reports
    • About
      • Barlow History
      • Milton and Gloria Barlow
      • Personnel
      • Past Personnel
    • FAQs
    • Contact

    2011 Performances

    Augusta Read Thomas’ “Radiant Circles”

    Augusta Read Thomas’ “Radiant Circles”

    2011 Performances, 2017 Performances

    Brian Current’s “Whirling Dervish”

    Brian Current’s “Whirling Dervish”

    2011 Performances

    Larry Polansky’s “Three Pieces for Two Pianos”

    Larry Polansky’s “Three Pieces for Two Pianos”

    2011 Performances, 2012 Performances

    Neil Thornock’s “Corrugated Refrains”

    Neil Thornock’s “Corrugated Refrains”

    2010 Performances, 2011 Performances

    Michael Gandolfi’s “Double Concert for Clarinet and Bassoon”

    Michael Gandolfi’s “Double Concert for Clarinet and Bassoon”

    2011 Performances

    Seth Stewart’s “Three Muses”

    Seth Stewart’s “Three Muses”

    2011 Performances

    Leilei Tian’s “In Our Image, In Our Likeness”

    Leilei Tian’s “In Our Image, In Our Likeness”

    2011 Performances

    Claude Baker’s “From Noon to Starry Night”

    Claude Baker’s “From Noon to Starry Night”

    2011 Performances, 2016 Performances

    David Sanford’s “Long Time Coming”

    David Sanford’s “Long Time Coming”

    2011 Performances

    Yu-Hui Chang’s “It is an Illusion You Were Ever Free”

    Yu-Hui Chang’s “It is an Illusion You Were Ever Free”

    2011 Performances

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